10/7/2023 0 Comments Her spike jonze citation![]() This “off-screen” activity differs from classical cinematic representation in that no clue is attached to it except when the OS recognizes what she has been doing at the same time as she was talking to the character. ![]() when she browses through his emails or social network contacts. For instance, the suggestion is made that Theodore does not control and identify the constant scrutiny that Samantha is placing him under, e.g. It appears as a challenge to cinema trying to integrate a new form of relationships between the audiovisual medium and the digital, which resorts to and bypasses traditional audiovisual representation. Of particular interest is the persistent presence of bodies in the cinematic treatment of this theme, which raises the question of how cinema can represent graphically a virtual, digital relationship which by nature is confined to the immaterial field. This script foregrounds an obvious intermedial concern with the way humans entertain new types of relationships with their technological devices, and this concern is also with the destiny of this relationships which sometimes echoes the typical “male-oriented” gaze analyzed by Laura Mulvey in her seminal essay, and sometimes hints at new modes of relating not only between humans and machines but among humans. Himself a very lonely person about to complete a divorce procedure, he enters a romantic relationship with an OS-an operating system, named Samantha-which he loads into his computer, and slowly develops feelings of jealousy and self-loathing towards this artificial intelligence, just as he would do with a “real” person. Theodore is a writer for the commercial website, a fictional venture that offers to write private correspondence for individuals who feel they have no time or ability to do so themselves. Human faces and voices together with machines are the liminal elements that we encounter in Spike Jonze’s Her (2013) where the main character, Theodore Twombly (Joaquim Phoenix), first appears on screen in a frontal shot, talking as it seems to a computer which then processes his words into a printable document.
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